Calculation in art: The inconspicuous heuristics of computation
abstract: How might computers, as tools for automatic execution of formal boolean logic, as opposed to their popular use as rote presentation appliances for presenting various pre-packaged media, be integrated into art? Though the latter use may only yield discussion relevant to a subset of media theory, and we have no argument in or with that forum, the former represents a fundamental inquiry regarding cognition, perception, biology, mathematics, and anthropology, which applies to a far broader issue that bleeds across to far more disciplines of study.
The direct approach, algorithmically generating modal events, is hardly sufficient. It is the well-known, but hardly ever analyzed basis of the Turing test. As an example, computers taking input from distinct biosensors tend to create what can be called "cat-walking-on-the-piano" music. This is not to say that an individual cannot come to develop an appreciation for such an aesthetic, but merely that our species seem to be equipped with a general organic art-ness detecting sense.